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New York Classical Review
New York Classical Review » Blog Archive » Nelson Freire delivers ...
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New York Classical Review
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Met’s 2024-25 season will bring new “Aida” and “S…
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Teatro Real Orchestra brings dazzle and Spanis…
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Teatro Real Orchestra brings dazzle and Spanish flair to U.S. debut
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Philharmonic’s kaleidoscopic pro…
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Superb singing in “Rigoletto” highlights r…
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Superb singing in “Rigoletto” highlights return of Met’s Weimar Verdi
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Twelfth Night and soloists bring youthful spark and a rom-com heart to ...
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Wang triumphs in all-Rachmaninoff, all-at-o…
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Wang triumphs in all-Rachmaninoff…
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Met’s “Butterfly” returns to the ne…
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Welser-Möst recombines Berg and Schubert in Cleveland Orchestra’s ...
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At Carnegie opening, Mussorgsky gets lost …
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The art that conceals art with …
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“Fedora” returns to Met after 25 year…
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“Fedora” returns to Met after 25 year…
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S.E.M. Ensemble brings holiday gifts with new music by Kotik, Mrkvíčka
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Musical worlds coalesce and div…
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Back to the future: Third Coast Percussion winningly melds music and ...
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Musical worlds coalesce and di…
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Met forces bring fresh drama and expressive depth to Verdi Requiem
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Taiwan Philharmonic joins forces with Chamber Music Society to open U.S ...
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Met’s “Aida” returns in worthy style fo…
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Han Chen’s remarkable playing equal to the geni…
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Pianist Debargue shows world-class s…
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Honeck and a sterling Met cas…
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Kutasi’s Amneris provides the highlights in Met’s uneven ...
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Kutasi’s Amneris provides the hig…
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“X” fires Met stage with compelling character portrait, colorful staging
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Midori delivers solo Bach and the moderns at Zankel Hall
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Music, poetry and Spanish history in graceful motio…
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A strong Met cast vies with the structural problems of Blanchard’s “Fire”
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An ideal Mozart cast lifts a not-id…
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