In the film, the imaginary building evokes both the best and worst of postwar architecture and brutalism, with camera angles and lighting emphasizing its giant volumes of space and hard geometric ...
With ‘Megalopolis’ and ‘The Brutalist,’ architecture is having a moment — but to what end?
It is exceedingly rare to have a major Hollywood film take architecture as its central ... Coppola’s Megalopolis and Brady Corbet’s The Brutalist are wildly different in tone and tenor ...
In the film, the imaginary building evokes both the best and worst of postwar architecture and brutalism, with camera angles and lighting emphasizing its giant volumes of space and hard geometric ...
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