"American Horror Stories" gives a tepid crash course on liminal spaces in "Backrooms"
The set-up of "Backrooms" is as such: We're introduced to Imperioli's character — a self-absorbed, award-winning screenwriter — and as soon as it's mentioned that his young son went missing, we immediately know that whatever was done to this boy, he did it. The fun of Murphy's shows is never the "how" of it all, it's the "what's next?"