Thank god for Tony Rayns, whose commentary for The Undercover Man made me realize what makes Joseph H. Lewis's aesthetic so ...

What do Steven Soderbergh's Presence and Michael Jackson's song "Man in the Mirror" have in common? We'll explain.

It's easy to think about Harakiri as a critique of ancient Japan, but it's worth examining it as commentary on Japan following World War II.

C, as a ghost, spends years trying to unearth the note M left. After the house is bulldozed, he hangs out for a few more decades (or however long it takes a city to develop) before jumping back in ...