Archaeologists found Viking skeletons over 1,000 years old buried with a crystal and other treasures. They're improving our ...

Learn more In the early 1800s, Jim Bowie engaged in a violent riverbed brawl. Unbeknownst to him, that fight would change the trajectory of knifemaking history forever. The knife he used, which bears ...

Refers to the latest 2 years of stltoday.com stories. Cancel anytime. David Bowie performs during a concert on Set. 14, 1995, in Hartford, Conn. AP file photo As the famous line from “Space ...

A special edition of David Bowie‘s ‘Ready, Set, Go!’ live album will be released for this year’s Record Story Day. ‘Ready, Set, Go! (Live, Riverside Studios ’03)’ is set for release ...

Support journalism that digs deeper into topics that matter most to ArkLaTex. Donate today to preserve the quality and integrity of local journalism. NEW BOSTON, Texas -- Testimony is expected to ...

Liberty prints have since been worn by royalty, Hollywood stars and musicians, from David Bowie’s blue quilted two-piece that he wore on the album cover of The Rise And Fall Of Ziggy Stardust ...

(WHTM) — An inmate in Cumberland County Prison is accused of making death threats against a prosecutor with the Attorney General’s Office, saying he would skin her with a bowie knife ...

They say that a creative mind will have its outlet in several areas of art. This explains Leonardo da Vinci’s gift in both painting and architectural design.

After a spontaneous trim last week, she took her hair even shorter. Julia Fox's bold new David Bowie-inspired bob lasted about five minutes—because the actress has gone even shorter. After ...

A couple of scrapped David Bowie tapes from the 1974 Sigma Sessions in Philadelphia, Pennsylvania have been found, but they were almost erased. Max Ochester, a rare record collector and preserver ...

“I’m gay,” Bowie told reporter Michael Watts in 1972, “and always have been, even when I was David Jones.” While Watts surmised that Bowie was playing into the nature of the ...

The next song was a fast, romping version of the song Young Americans with no vocals and the distinctive sound of Bowie’s saxophone player David Sanborn wailing away on his alto horn.