“I’m the closest that there is to the creative mind of László,” said Becker, who crafted the ingenious mid-century furniture, shabby Philadelphia interiors, tony drawing rooms and the sprawling ...

CetraRuddy, a New York office, was behind the largest office-to-residential conversion project in New York City to date. 25 ...

A firm favourite for Oscar glory this year 'The Brutalist' is not a biopic but rather a film loosely based of several real ...

Monumental,” “tremendous,” and “striking” have all been used to describe how much of an achievement The Brutalist is, but there isn’t enough verbiage to replace the grandeur of the experience itself.

SUMMARY: Ambitious in its scope, “The Brutalist” seems to have done what it set out to do: leave its audiences with a sense ...

Revitalization of iconic modernist landmarks showcasing how adaptive reuse strategies preserve historical value while ...

Why the stark 20th-century architectural style is back in vogue.

Enjoy 12 digital issues a year from the global design authority ...

Well before she met The Brutalist director Brady Corbet, production designer Judy Becker hoped she could work with him.

The film’s reductive portrayal of an exploited creative ‘genius’ places individuation as the defining feature of existence ...

The fictional movie, set in the 1950s and '60s, centers around architect László Tóth (Adrien Brody), a Hungarian immigrant to the United States and a Jewish Holocaust survivor.

The further “The Brutalist” progresses along its 215-minute track, the more evident it becomes that co-writer/director Brady Corbet sees himself in his protagonist, László Toth (Adrien Brody), the ...