With late 20th century nostalgia saturating popular culture at the moment, it would be easy to mistake Kate Kemp’s The Grapevine for an opportunistic rose-tinted tour through the shag pile. Not so.
Canberra is using the same amount of water as the 1970s, despite the city's population doubling in the past 40 years.
Over 140 of her photographs are currently on display at the National Portrait Gallery in Canberra. Faces are just ... in Melbourne and Sydney in the 1970s. She focused on faces and bodies amid ...