blues, and even childhood tunes on your guitar. Want to challenge yourself? Skip ahead to the ear training lessons, which can teach you how to listen to songs like "Bags," "Circles," and Here ...

Justin Hayward insists there were two Moody Blues. He ought to know ... “These songs jump out of the guitar. I’ve had quite a few things out in the last few years. It’s not often that ...

Marty Stuart and His Fabulous Superlatives released ... all-instrumental album "Space Junk" at East Nashville's Fender Guitar Showroom on Friday evening offered a glimpse into why the genre ...

One of the sole surviving Moody Blues makes a point to swing into the ... late ‘80s recording of the sentimental look at the past. Guitar whiz Mike Dawes—who plays in the 78-year-old’s ...

Marty Friedman recently reflected on his inimitable guitar chemistry with Dave Mustaine during his time in Megadeth, praising the bandleader's unique skill set and naming one technique that he ...

and working on programs that promoted and advanced Indigenous health equity – our Cree/Metis brother Marty learned five fundamental lessons. “Know who you are as an Indigenous person and let ...

When asked about his practice routine, Friedman made a bold revelation: "I haven't practiced in probably three decades because I'm playing guitar so incredibly much, all of the time: either ...

Marty Schwartz is the guitar teacher of guitar teachers. So, it makes sense that he went to the guitar stores of all guitar stores and spent quite a bit of time at Guitar Center. When one watches ...

Prior to joining The Moody Blues, Justin Hayward had worked with '50s rock and roll star Marty Wilde ... proficient on both electric and acoustic guitar and his fingerpicking style is very ...

In 1966, the Moody Blues were about to go down ... London in 1964 and found a job playing guitar for the popular British rock ’n’ roll singer Marty Wilde. But he kept his eye out for other ...

I played guitar for Marty for 18 months and that was great. Marty told me something important and that was that to survive in the music business you have to create your own identity. And so I started ...