The Apprentice has been nominated for two Oscars. Julianne Forde and Ruth Treacy of Irish production company Tailored Films ...
This Friday, February 21, the Federal Court of Australia in Sydney will begin the hearing of Save Wallum vs Clarence Property. Save Wallum’s goal is ‘to permanently halt the development and buy back ...
The Sundance Film Festival stands as a beacon for independent cinema, illuminating the art with groundbreaking storytelling, artistic risk-taking, and fresh voices that might otherwise go unheard.
Ups! Each month, I'll put together a list ranking the books I read. With an invigorated love for reading and a newly active ...
Teacher, bestselling author, and social media star: It’s all in a day’s work for this Utah educator.
I started writing a story about a killer squirrel that ripped people’s throats out and started the zombie apocalypse ... You went viral when the cover art for your first book was unveiled ...
In the indie meta-horror There’s A Zombie Outside, that monster is real (or is it?) for a struggling gay artist named Adam ( ...
Chronic wasting disease slowly turns the brains of infected deer (and other cervids) into spongy, deteriorating masses, triggering bizarre behavior and, inevitably, a fatal outcome.
Is Toxic Commando still happening ... stating “On my mark” before cocking her shotgun. The vehicle hits a zombie, and the driver wipes blood from the windscreen with a determined look on ...
The Toxic Avenger tells the story of Winston Gooze (played by Peter Dinklage), a meek janitor at a health club who, after falling into a pit of toxic waste, becomes a large deformed hero ...
Shudderhouses one of the largest selections of groundbreaking scary movies, emerging horror series, and downright freaky ...
Cineverse, at least, is owning the “unmarketable” label that has been applied to The Toxic Avenger, gleefully sharing it as part of their announcement.
What Bailey meant was that he believed, in time, that art collectors would come to recognize the significance of art regardless of its scale. When I came across Santiago’s work in 2018 ...
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