Cannes: Simón Mesa Soto’s sophomore feature is a darkly comedic character study that's easy to read as an allegory ... a schmuck, a sad-sack, and a dumb-SOB and all would apply.

After Michael finds Nathan outside a busy office building, a confrontation ensues, drawing in a good Samaritan, Simon, who diffuses the tension and offers to buy Michael lunch. In lieu of a thank ...

WHITFORD It was basically my fantasy of his trajectory. Because, it can’t come too easy. This is not a show that needs a male savior (laughs). Lawrence is one of these intellectual guys and he ...

We’ve watched these two characters go on their journeys together, their separate journeys, and so for the ending to be in this way, it’s bittersweet, it’s sad ... makes it easy to do ...

and she and I felt just so aligned and it was so easy. We were so sad when it ended. Making movies is hard, even in the greatest scenarios, but we had our families there and it was just so special.

The sad irony of that scene, and of Dossier 137 in general, is that both women really want to do the right thing — only they live in a world where it’s no longer about right or wrong ...

Showcase your company news with guaranteed exposure both in print and online The Future of Bay Area Biotech: Searching For Answers The Small Business Leaders awards program honors the dedicated ...

An adventurer enlists his disapproving sister (Natalie Portman) in this Guy Ritchie movie with a hint of Indiana Jones. By Glenn Kenny A newly engaged Jew and gentile plan to introduce their ...