News

Tapestry Dance Company was unable to host its festival this year after losing $30,000 from the National Endowment for the Arts.
Houston-based dance company makes pilgrimage to Galveston for Juneteenth Nia's Daughters Movement Collective is turning Texas' Black history into choreographed art.
HOUSTON, Texas (KTRK) -- Ishida Dance Company is joining the Asia Society to present a world premiere starting Thursday. It features sought-after dancers and critically acclaimed choreography.
The Dallas Ballet, which went bankrupt in the 1980s, is the last North Texas dance company to organize with the American Guild of Musical Artists.
MOBILE, Ala. (WALA) - The director of Danze 101 Academy is speaking out following Sunday’s tragic, deadly shooting in downtown Mobile. According to Mobile Police, Marcus Sanders, 27, opened fire ...
The world-renowned "Philadanco! The Philadelphia Dance Company" will be in Charlotte for a one-night performance on May 28, at the Knight Theater. It's the first local show for the mostly African ...
Strive Dance Company brings a unique blend of performance art, paying tribute to Fleetwood Mac through a showcase of dance and music in Indianapolis.
A Holocaust survivor who helped revolutionize the dance world in Philadelphia is now sharing his story in a powerful new memoir. Shimon Braun, founder of the legendary Waves Jazz Dance Company, is ...
The Chicago dance company continues to break glass ceilings with debuts at MCA Chicago and Jacob’s Pillow this summer in Massachusetts.
We end today with the Sebé Kan Youth African Dance Company. It teaches the dance traditions of Mali, Guinea, Ivory Coast and other West African nations to young people in the Portland area.
As a nonprofit, Tapestry had relied on National Endowment for the Arts (NEA) grants to help fund the annual festival. This year, Gray said she was approved to receive $30,000 to put on the event. A… ...
Red Clay Dance Company’s Celeste Brace (from left), Zipporah Wilson, Alexandria Kinard and Amaya Arroyo perform “Field: New Ground” by Bebe Miller.