An album cover is more than just packaging in the modern music industry; it's a representation of the artist's personality.

The New Yorker, now celebrating its centenary, has defied media trends by giving an unusual amount of control to the artists behind its conversation-starting covers.

The first artist to perform a track isn't always the one to make it a hit. Rather, covers account for some of the most iconic songs ever.

Stevie Wonder and more In this week’s The Cover, Gyubin opens up about taking a road less travelled in the South Korean music industry, turning down offers to become a K-pop idol trainee to ...

Mala Emde plays the spitfire teenage promoter who convinced Keith Jarrett to perform on a broken piano, and in doing so made ...

Seattle satirist Maria Semple’s breakthrough novel is a flurry of contemporary, epistolary wit. Passive aggressive e-mail ...

As Kurt Cobain's birthdate approaches, we culled 20 remarkable vocal performances across the Nirvana leader's career.

The Cut Magazine has released its Spring 2025 edition featuring Rosé. The front cover showed Rosé in three different outfits ...

Mala Emde plays Vera Brandes, the 18-year-old music promoter without whom Keith Jarrett's celebrated piano recording, ‘The Köln Concert,’ might not have happened.

Seattle’s climate (both the weather and our collective spirit) makes it easy for Little Free Libraries — and all their spinoffs, from beads to seeds... Our annual Pictures of the Year issue ...

Spotify is a big name in the streaming music industry, but isn't the only service worth a listen. Broaden your musical horizons by firing up these feature-rich, recommended picks. My career has ...

Spring fashion’s wild new shapes and bold adornments extend from head to toe in striking hues. By Naguel Rivero and Ian Bradley Transparent skirts and sheer bodices offer a hint of skin and an ...