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LaBute’s most shocking and tender play yet is directed by Stratford East’s newly appointed Artistic Director Lisa Spirling (Vardy v Rooney: The Wagatha Christie Trial), from the producers of the ...
The 2025 Headies Awards brought together artists and entertainers from across the continent for a night of music, fashion, and recognition. Held in Lagos, the show featured performances, tributes ...
Afrobeats singer, Chimamanda Pearl Chukwuma, popularly known as Qing Madi, has shared her thoughts about the Nigerian music industry. The 18-year-old singer opined that the Nigerian music industry ...
Fast-rising Afrobeats artiste, Chimamanda Pearl Chukwuma, better known as Qing Madi, has stirred up another controversy by noting that the Nigerian music industry is dark. Her voice to the growing ...
Early winners at the 2025 Headies Awards include: Songwriter of the Year: Qing Madi clinched this award for her emotive track “Vision,” highlighting her lyrical prowess. Rookie of the Year ...
Both LaBute and director Lisa Spirling steer well shy of the shocking, ugly deterioration that can come with stage four brain cancer. Jodie is not just sick, she is 'sick and tired'. She has tried ...
Lisa Spirling’s direction attempts to push its way through a windy narrative that seems to keep circling back on itself, but the play’s anger and indignation fight a losing battle with improbability ...
A nuanced performance from Justina Kehinde brings heart and life to Lisa Spirling’s polished but airless production. When we first see nice, middle-class Jodie (Kehinde) and her husband Brad (Archie ...
A nuanced performance from Justina Kehinde brings heart and life to Lisa Spirling’s polished but airless production. When we first see nice, middle-class Jodie (Kehinde) and her husband Brad ...
Directed by Lisa Spirling, it tries really hard to do this, achieving some of it, but falling short in a number of areas. LaBute writes a reactive dialogue, with each side beckoning and ...
What with the assisted dying bill having been voted in only last year in the UK, it seems timely enough to look at the kind of desperate situation people find themselves in without it. Neil LaBute’s ...
In Lisa Spirling’s production, these characters are held at arm’s length; we learn little about them beyond their opinions on the decision they must make. And while this anonymity suggests ...
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