In "Turning Red" Rosalie Chiang voices main character Mei Lee. Prior to her role in the film, Rosalie acted in the TV series "Clique Wars" and a few short films. The actress was originally hired ...

Probably one of the biggest moments of the Turning Red ending that stuck with me. In the other realm, where the women go to separate themselves from their Red Panda form, Mei discovers her mother ...

Mei Lee, voiced by Rosalie Chiang, right, and her mother Ming, voiced by Sandra Oh, in “Turning Red.” (Disney+/AP) Perspective by Christine Koh The new Pixar movie “Turning Red” has gained ...

“Turning Red” excels in its unapologetic depiction of girlhood and empowering female friendships. Best friends Miriam, Priya and Abby are supportive when Mei reveals her red panda form.

Disney and Pixar's Turning Red hit Disney+ in 2022 and told the coming-of-age story of Mei Lee. Unlike normal 13-year-olds, she transforms into a giant red panda when overwhelmed by her emotions ...

The mother-daughter tensions within a Chinese Canadian family fuel "Turning Red," a charming feature debut from "Bao" director Domee Shi.

In the new Pixar film Turning Red, 13-year-old Mei transforms into a giant red panda based on mood swings.(Pixar / TNS) I am no Disney expert or fanatic. I don’t own a timeshare in Orlando or ...

In "Turning Red," Mei Lee (Rosalie Chiang) has a secret shared by the women in her family. Watching them on screen reminded me of the closeness of my own.

Turning Red revolves around the story of a 13-year-old Chinese-Canadian Mei and her wonderful 'curse' that finally liberates her and allows her to become her own person.

Turning Red follows the journey of self-discovery of its 13-year-old Meilin "Mei" Lee (played by Rosalie Chiang), who inherits the ability to turn in a giant red panda whenever she feels any ...

That “Turning Red” pivots this way — with Mei, as panda, cowering in the bathroom with her mother knocking outside — is a fairly radical move in the typically sanitized world of studio ...

That “Turning Red” pivots this way — with Mei, as panda, cowering in the bathroom with her mother knocking outside — is a fairly radical move in the typically sanitized world of studio ...