Brilliant direction from Director Ola Ince, together with a convincing New England staging from Amelia Jane Hankin, makes ...

John Proctor Is the Villain,” the title of Kimberly Belflower’s Tony-nominated play, has a strong polemical ring. Before ...

The seven-time champion twice saw his 22-year-old opponent pull back to within two frames, but held his nerve and a break to black of 76 confirmed his 14th appearance in the Crucible's last four.

THE World Snooker Championship will no longer be held at the Crucible unless it's given a major upgrade, Barry Hearn has revealed. The hallowed Sheffield venue has been the World Championship's ...

The long-time Sheffield home of the sport’s biggest event has a contract for the next two years but the future beyond 2027 appears uncertain. Matchroom Sport president Hearn has a meeting with ...

Try telling Tatiana Woollaston that the Crucible has lost its lustre. The iconic Sheffield venue is as special to referees as it is to players and fans. Woollaston, one of the leading officials in ...

play is the essence of performance and life.” The Humanist Project’s sense of play will be on full display at 7:30 p.m., April 26, when Toomey and company perform their newest work, “A Crucible: A ...

The world No 2 has won four ranking titles since his Crucible triumph in 2024, and doesn't just have the £500,000 prize money motivating him this year. Wilson also has the potential to make ...

Choreography and score work in perfect tandem to evoke the hysteria and hatred engulfing Salem in Scottish Ballet’s revival of The Crucible, writes Kelly Apter Did you know with a Digital ...

Kyren Wilson went out in the first round after victory at the World Snooker Championship in 2024 The Crucible curse refers to the fact that no first-time champion has been able to retain the World ...

Those real-life relationships and secrets come to be filtered and mirrored in the class’ reading of Arthur Miller’s play, The Crucible. The title of Belflower’s play refers to the persuasive ...

Exploring what has and hasn’t changed about coming of age since 1692, playwright Kimberly Belflower filters “The Crucible” through the lens of #MeToo by putting Arthur Miller’s drama into ...