Below Máté tells us how the team designed the film's aesthetic to play on the graceful yet surreal and menacing feel of ...

Following in the bloody footsteps of Coralie Fargeat’s 'The Substance,' a new wave of female filmmakers is reinventing body ...

Boyhood's End is a charming yet chilling sci-fi horror that's shaping up to be my new favorite game this year.

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Genre hits like ‘The Substance’ and ‘Titane’ see success at top festivals and at the box office, opening doors for more.

In "Only for the Wicked", Nathalie Djurberg and Hans Berg immerse viewers in a grotesque world of sin and foolery.

Following a series of surprise wins, Sean Baker’s Palme d’Or winner “Anora” has seemingly surged to the front of the Oscars ...