DUNGEONS & DRAGONS The Twenty-Sided Tavern – which will now run until April! Offering whip-smart comedy and frenzied fun in a ...
Jules Massenet’s “Cendrillon” — that’s “Cinderella” in French — has beautiful melodies that delightfully conjure up longing, ...
SailGP returns to where it all started in Sydney this weekend and six years on from the inaugural race, co-founder Russell ...
A fire erupted at a Sydney factory on Tuesday causing explosions and sending huge plumes of thick smoke in the sky above the city's west. It's not yet clear what caused the fire in the Sydney suburb ...
Joern Utzon’s winning design for a National Opera House at Bennelong Point published on the front page of The Sydney Morning Herald, January 30, 1957.Credit: His Opera House, estimated to cost ...
These events follow a boycott of the 2022 festival ... stage to acknowledge the Gadigal people on whose land the Sydney Opera House sits, Cardinal pricks and provokes, leaving nothing (and ...
Sunday 9 March, Sydney Opera House, 6.30-9.30pm. Tickets: $290. “Both The Pairing of Power and Table Talk showcase the extraordinary talent and creativity of women in the food and wine industries. We ...
Sydney is expected to ring in 2020 with its usual New Year's Eve fireworks spectacular, a world-famous annual event which injects $133 million into the local economy. But the city's lord mayor appears ...
First staged in Rome in 1816, The Barber of Seville is a jewel in the crown of Italian opera. But while it was born ... by night from the street outside her house, the backdrop resembles a long row of ...
World Economic Forum delegates gathered at the Ukraine House on Monday to watch Donald Trump get sworn in as the 47th president of the United States. The Ukraine House organised an exhibit ...
Supporting mass participation events like the marathon is part of our strategy ... running over the Sydney Harbour Bridge and across the finish line at the Sydney Opera House will be beamed around the ...
This year’s Prototype, a showcase of experimental opera and theater, was stylistically broad but the focus was on the human voice in all its weirdness. By Corinna da Fonseca-Wollheim Even before ...
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