Yasumasa Morimura (森村 泰昌, Morimura Yasumasa, born June 11, 1951) is a contemporary Japanese performance and appropriation artist whose work encompasses photography, film, and live performance.

Oct 18, 2018 · Morimura made his first art-historical self portrait in 1985, when he was in his mid-thirties. His chosen subject was Van Gogh, an artist who, in retrospect, represented numerous themes Morimura would reflect upon over the course of his career. At the time, Western art was en vogue in Japan.

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Morimura Yasumasa (born 1951, Ōsaka, Japan) is a Japanese artist known for his large-scale self-portraits that are often superimposed on art-historical images or on pictures of iconic individuals.

Yasumasa Morimura is a contemporary Japanese appropriation artist whose work consists of inserting his face and body into portraits of artists and celebrities from history. View Yasumasa Morimura’s 405 artworks on artnet.

Nov 15, 2018 · For three decades, Yasumasa Morimura has remade icons of art history in his own image – from Vincent van Gogh to Frida Kahlo

Nov 8, 2023 · Yasumasa Morimura's journey took an exciting twist in the 1980s. He pivoted from painting and began to explore the realm of photography. But why this sudden shift, you may ask? Well, Morimura felt that photography could better capture and convey his growing interest in identity, gender, and culture.

Yasumasa Morimura (1951, Osaka, Japan) is a conceptual photographer who takes portraits of himself masterfully masquerading as recognizable subjects, often from Western culture.

Yasumasa Morimura, born 1951 in Osaka, is a Japanese artist whose work deals with issues of cultural and sexual appropriation. Morimura studied art at Kyoto City University of Arts and in 1985 made his first avant-garde self-portrait based on an iconic portrait of Vincent Van Gogh.

Yasumasa Morimura (森村 泰昌, Morimura Yasumasa, born June 11, 1951) is a contemporary Japanese performance and appropriation artist whose work encompasses photography, film, and live performance. He is known for his reinterpretation of recognizable artworks and figures from art history, history, and mass media through his adoption of ...